12/20/2012

Private Time



There is a silent journey heading towards an unknown place.

11/19/2012

TwoClown

Illustration Board 9 x 12 Inches
Gouache, Black Ink & Colored Pencils

The lower one is blind, and the upper one is lame. They both have only one arm. They work together to give us a wonderful show, through which they become one.

Prelim / Colored prelim by Photoshop

Portrait

Paper 11 x 17 Inches
Graphite
Charcoal

老人像是鉛筆完成,小孩是用炭筆,這兩件是連續工作而完成的。我試著用我已具有的對這兩種材料的認識,再加上一些偏好和企圖,去區分鉛筆與炭筆的表現,作為前一段時間的學習記錄。

Double Your Pleasure Double Your Fun

Linoleum Cut Printing 8 x 10 Inches

Well, linocut really kills time a lot! It killed me a lot, too.

A Man and His Frog

Paper 18 x 24 Inches
Charcoal

Losing All Hope Is Freedom

Scratchboard 8 x 10 Inches

Superhero

Paper 18 x 24 Inches
Pen & Black Ink

I feel everyone who works hard for life and takes responsibility for family or the others is definitely a Super, Super Hero.

Fixed in Your Way

Paper 11 x 14 Inches
Pen, Ink and Watercolors

Be stubborn or not?

A Crime in My Room

Paper 18 x 24 Inches
Charcoal

The Crooked Family

Paper 18 x 24 Inches
Charcoal

There was a crooked man, and he walked a crooked mile.
He found a crooked sixpence against a crooked stile.
He bought a crooked cat, which caught a crooked mouse,
And they all lived together in a little crooked house.

This is my visual interpretation of a nursery rhyme above, "The Crooked Sixpence." Meanwhile, it was the first time for me using charcoal. I had a hard night. The values of the image doesn't work so well, but I like the way all the crooked characters together give a peaceful and satisfied feeling being with each other, while most people in the world prefer a nice look for their faces, body shapes and everything. I would like to put more value on the beauty of imperfection.

A Letter to my Grandpa

Paper 18 in x 24 Inches
Graphite


Hi, Grandpa.

I still remember how hard you worked to encourage us, all of your grandchildren to study, and I still remember how hard your assignment was for me, when I was really young, not knowing many Chinese characters. At that time, I could not tell the values for those ancient articles you wanted us to keep in mind. Actually, I didn’t really understand what I was talking about while sharing with you what I had learned from the reading every time.

When we grew up a little bit, you still assign readings to us every time we met, and certainly, you wanted us to share our thoughts with you after those readings. It was great that we had developed a more relaxing way chatting with each other, especially while we were playing Chinese chess together. We were getting to know each other in that period.

After several years and with your encouragement, our brothers and sisters started to study their Masters or PHDs overseas one after another. I was the only one who still stayed in Taipei and tried to make a living there. Your physical condition began to go down. I still remember, although it is not so clear, the last chess game we played at that table in the living room, which was a long time ago.

In the past several years, your consciousness had become unstable. Part of your memories had been lost, and part of them came up unexpectedly and creatively. However, there was a magic. For many times in our available conversations, you used to first ask about the study and career for those brothers and sisters who were not by your side, and then you asked about me – when are you going to study abroad? I always answer “Soon,” even when I was in fact doing a job there. Then I could have a smile from your face.

I am finally a student again in somewhere that is far away from you. Now you are sleeping in your bed, and seldom wake up. I have recognized those things of all the past years between us. They are all about love.

Your grandson,

Chih-Yung

Portrait/ Group Portrait


Sketchbook 9 x 12 Inches
Graphite

Self-Portrait

Sketchbook 9 x 12 Inches
Charcoal

Study of Rambrandt's Self-Portrait 1660

Sketchbook 9 x12 Inches
Charcoal

Study of Rubens’ portrait of his daughter Clara Serena Rubens 1616

Sketchbook 9 x 12 Inches
Charcoal

Figure





Sketchbook 9 x 12 Inches
Graphite/ Charcoal

Environment





Sketchbook 9 x 12 Inches
Graphite/ Charcoal

Still Life Set



Sketchbook 9 x 12 Inches
Graphite

Still Life






Sketchbook 9 x 12 Inches
Graphite

8/23/2012

Drawing



第二件素描作業,詩人荷馬石膏像,經歷十四堂課完成。這張作業的完成,稍嫌差強人意,因為能進行的堂數有限,最後的工程直想著讓它有個階段性的收尾,無法再作更多描繪上

7/31/2012

哥和嫂

 


    

哥與嫂的婚紗照,只在棚內,一套禮服,一套便服。早上十一點開拍,下午六點收工。拍攝當中只想這是穿著禮服拍人像,姿態、表情一切以符合地球重力的規範為原則,想笑便笑,

7/30/2012

Drawing


在冉茂芹老師的畫室,完成的第一件素描作業,對象是富蘭克林石膏像,共經歷了十五堂課
(每堂課三小時,每進行二十分鐘,休息十分鐘。)這是我帶著明確的學習意識後,經驗的第

Eyeing



2009年時畫了這幅,當時在想,繪出一系列的畫面,裡面都有一個像是自然界裡某種生物的角色,不帶情緒地凝視畫面之外。它要非常漂亮、神祕,甚至科幻,還要讓人看著它會感

Eyeing

Private Time




在這幅裡面,我原特想表達,卻表現不大成功的,那是巨大身影和小孩之間的關係。

我想表現出的是,小孩對自己的影子會產生想像,而且某種程度是對自己的想像,它會很神奇地出現,真實和想像那時候是分不開的。

到此,許多不足處待來日再練!


Private Time



Private Time



What is there over that distance?